![]() ![]() There are some printed copies available however if you are interested in acquiring one of these, please contact and Beyond (2017) The printed and bound catalogue itself is not available for purchase. The full PDF of Albert Elduque Busquets’ catalogue, ‘ Contemporary Brazilian Music Film‘, is now available for free here. The PDF has one small section omitted. Available on request Brazilian Music Film (2018) The event featured an accompanying catalogue produced by Prof. At the Minghella Studios on the 6 th and 7 th of December, UK audiences experienced the restaging of two Silent Movie Prologues, together with a screening of the films they were designed to accompany: Buster Keaton’s wonderful comedy feature Go West (US, 1925) and the surviving fragment of another extraordinary 1920s film, Beggar on Horseback (US, James Cruze, 1925). ![]() ![]() The first restaging of the Brazilian movie prologues took place on 30 June 2018 at Museu da Imagem e do Som (MIS-SP), by the theatre troupe Companhia Antropofágica. It features 5 articles: Intermediality in Brazilian cinema: the case of Tropicália Introduction by Lúcia Nagib and Stefan Solomon, Devouring images: Hélio Oiticica’s anthropophagic quasi-cinemaby by Alison Butler, ‘The cloak of technicolor’: intermedial colour in Antônio das Mortes by Stefan Solomon, Between film and photography: the bubble of blood in ‘The Family of Disorder’ by Albert Elduque, and Multimedia identities: an analysis of ‘How Tasty Was My Little Frenchman’ by Lúcia Nagib. The entirity of the first of 2019s Screen Dossier was written by IntermIdia Project colleagues. Screen Dossier, Volume 60, Issue 1, Spring 2019 Previewed below is the full list of books, video essays and online/journal publications produced by the IntermIdia Project. ![]()
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